Description
Tech Specs
Brand Details
Key Features:
- Supports 12G-SDI for Ultra HD (4K) up to 2160p60
- Connects up to 8 cameras with talkback via SDI
- Built-in tally system for on-air indicators
- Dual SDI loop outputs for monitoring
- Embedded audio support with mic input
- Supports professional headsets for clear communication
- Rack-mountable design for easy integration
The Blackmagic Design ATEM Talkback Converter 4K is a high-performance solution designed to facilitate seamless communication between a production switcher and camera operators during multi-camera live broadcasts. By supporting up to 8 cameras via 12G-SDI, it enables real-time talkback, tally, and audio functionality over long distances, making it an essential tool for live sports, concerts, TV broadcasts, and other professional productions.
One of the standout features of the ATEM Talkback Converter 4K is its 12G-SDI connectivity, which supports Ultra HD (4K) video at up to 2160p60 resolution. This ensures that the converter is not only capable of handling today’s high-definition productions but is also future-proof for Ultra HD broadcasts. The 12G-SDI connections allow you to use standard BNC cables to connect cameras over long distances, up to 43 miles (70 km) with optical fiber when needed.
The talkback functionality is crucial for coordinating multi-camera productions. Using SDI as the transport medium, camera operators can communicate directly with the production control room via professional headsets, ensuring real-time coordination and control over camera angles and movements. This communication channel helps streamline the production process and ensures that the director or technical director can give precise instructions to camera operators during live events, reducing the risk of missed shots or miscommunication.
Another integral feature of the ATEM Talkback Converter 4K is its tally system. The converter supports tally signals that indicate to the camera operator when their camera is live on-air. This feature is particularly useful in fast-paced environments, such as live sports or concert broadcasts, where operators need to know immediately when they are active in the program feed. The tally signal is embedded over the same SDI connection, meaning that no extra cables are required, simplifying setup and reducing clutter.
The converter also provides dual SDI loop outputs for each camera, allowing the video feed to be monitored on-site or sent to other devices for further processing. This flexibility is key for larger productions that require multiple monitoring points, ensuring that all video feeds can be supervised and adjusted as needed.
In addition to talkback and tally, the ATEM Talkback Converter 4K integrates audio features, including embedded SDI audio and XLR microphone inputs. This enables operators to receive and transmit audio over the SDI link, which is particularly useful for monitoring audio feeds or adding commentary from the field. Professional-grade headsets with integrated microphones can be used with the converter for clear, reliable communication during live productions, enhancing overall workflow efficiency.
The ATEM Talkback Converter 4K is designed to be rack-mounted, making it easy to integrate into existing production setups. Its robust, compact design is perfect for use in studio environments, OB (outside broadcast) trucks, or portable production rigs. The converter is powered by AC mains, ensuring reliable operation during long broadcasts.
This device is highly versatile and can be used in a wide range of professional applications. In live sports broadcasting, the ATEM Talkback Converter 4K ensures smooth communication between the director and camera crew, enabling precise camera movements and coordination across large venues. In concerts or theater productions, the tally and talkback system helps manage multiple camera angles seamlessly, ensuring that the right shot is always on screen. It’s also valuable in TV studios, allowing producers to manage live camera feeds in real-time, enhancing the quality and professionalism of the broadcast.