Description
Brand Details
Description
Key Features:
- 20 x 12G-SDI inputs for Ultra HD 4K at up to 60 fps
- 4 M/E rows for managing complex multi-camera productions
- Multi-Rate 12G-SDI for SD, HD, and Ultra HD support
- SuperSource multi-layer compositing engine with up to 4 picture-in-picture effects
- Advanced chroma keying for live green screen and virtual set production
- DVE effects for picture-in-picture and 3D transitions
- 6 x SDI aux outputs for multi-screen routing and broadcast feeds
- Built-in multiview for monitoring multiple sources on a single screen
- Tally, talkback, and camera control integration for professional workflows
- Redundant power supply for reliable live broadcasting
Advanced 4K Live Production with 4 M/E
The ATEM 4 M/E Broadcast Studio 4K is designed to handle the most demanding live productions, supporting up to 2160p60 Ultra HD resolution across 20 12G-SDI inputs. Its 4 M/E (Mix Effects) rows allow operators to manage complex productions with multiple layers of video, graphics, and effects, giving you extensive control over your live broadcasts.
12G-SDI for Multi-Resolution Support
Equipped with 12G-SDI inputs, the ATEM 4 M/E Broadcast Studio 4K can switch between SD, HD, and Ultra HD video formats without changing hardware, making it versatile for any production. It’s perfect for environments transitioning to 4K UHD, while still supporting HD and SD workflows.
SuperSource Multi-Layer Compositing
The SuperSource compositing engine allows you to create multi-layered compositions with up to 4 picture-in-picture effects, providing creative flexibility for live events, panel discussions, and complex broadcasts. With SuperSource, you can combine multiple video sources into dynamic compositions without needing external hardware.
Advanced Chroma Keying for Virtual Sets
For live green screen production, the ATEM 4 M/E Broadcast Studio 4K features advanced chroma keying, making it ideal for virtual sets, news broadcasting, and live interviews. Its chroma keying engine delivers clean keying even at high resolutions, allowing for professional-quality virtual productions in real time.
Powerful DVE and Transition Effects
The built-in Digital Video Effects (DVE) processor provides advanced effects, such as picture-in-picture transitions, 3D wipes, and fly-ins, which can be customized to add a professional touch to your live broadcasts. These effects are perfect for sports broadcasts, live events, and any production that demands engaging, visually dynamic transitions.
Flexible Outputs with Multiview Monitoring
The ATEM 4 M/E Broadcast Studio 4K offers 6 independent SDI aux outputs, allowing you to send multiple feeds to different screens, monitors, or recorders. The built-in multiview lets you monitor up to 16 inputs, program, and preview outputs on a single screen, giving you full control over your production at a glance.
Tally, Talkback, and Camera Control Integration
This switcher is fully integrated with tally, talkback, and camera control, ensuring seamless communication between the director and camera operators. This feature is crucial for coordinating multi-camera live productions, especially in large-scale environments like sports events, concerts, and broadcast studios.
Redundant Power for Reliability
Designed for mission-critical live broadcasts, the ATEM 4 M/E Broadcast Studio 4K includes redundant power supplies, ensuring your production continues smoothly even in the event of a power issue. This feature adds an extra layer of reliability to live events where downtime is not an option.
Ideal Use Cases
The Blackmagic Design ATEM 4 M/E Broadcast Studio 4K is perfect for broadcast studios, sports productions, live event venues, concerts, and corporate productions requiring professional-grade 4K switching, multi-layer compositing, and advanced live production capabilities. Its extensive inputs, flexible outputs, and comprehensive control make it the go-to solution for complex live video workflows that demand high-quality 4K broadcasting.
Tech Specs
Type:
- 4 M/E 12G-SDI Live Production Switcher
Video Standards:
- SD: 525i59.94 NTSC, 625i50 PAL
- HD: 720p50, 720p59.94, 1080i50, 1080i59.94, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p50, 1080p59.94
- Ultra HD: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p50, 2160p59.94
- DCI 4K: 4Kp23.98, 4Kp24, 4Kp25
Video Inputs:
- 20 x 12G-SDI inputs (supports SD, HD, Ultra HD, and 4K video standards up to 2160p60)
- SDI re-clocking on all inputs for improved signal integrity over long cable runs
- Auto-switching between SD, HD, and Ultra HD formats
Video Outputs:
- 12 x 12G-SDI Program Outputs (up to 2160p60)
- 2 x 12G-SDI Multiview Outputs (configurable in 4, 7, 10, 13, or 16-view layouts)
- 1 x HDMI Multiview Output (for local monitoring)
- 1 x SDI Aux Output
- 1 x HDMI Output (program output)
- 1 x SDI Output (for clean feed)
- Dedicated M/E Outputs for each mix effect bus
Keyers:
- 16 x Upstream Keyers (4 per M/E bus), supporting Chroma, Luma, Linear, and Pattern keying
- 4 x Downstream Keyers
- 4 x DVE (Digital Video Effects) with 3D border, lighting, and drop shadow effects
DVE:
- 4 x Full 3D DVE with customizable borders, drop shadows, and lighting
- DVE transitions such as push, squeeze, and slide effects
Media Players:
- 2 x Media Players for real-time still graphics and animations
- Media pool capacity: Stores up to 64 still images in RGBA format, and 360 frames of Ultra HD clips
- Media pool supports HD and Ultra HD resolutions
Multiviewer:
- 2 x 12G-SDI multiview outputs, 1 x HDMI multiview output
- Customizable layouts for up to 16 sources
- Multiviewer displays for cameras, graphics, preview, program, and tally status
Transitions:
- Mix, Dip, Wipe, DVE, Stinger, and Cut transitions
- Customizable transition duration
- Wipe patterns with adjustable softness and border width
Macro Support:
- Create, save, and trigger custom macros for automating repetitive tasks
Audio Mixer:
- 2 x MADI audio inputs/outputs
- 10-channel audio mixer with controls for SDI embedded audio from video inputs
- Support for embedded SDI audio (48 kHz, 24-bit, 16 channels per SDI input/output)
- Gain, pan, EQ, and dynamics control for each audio source
Reference Input:
- 1 x Tri-level sync or blackburst (BNC)
Timecode:
- Reference Timecode input (BNC)
Network Control:
- 1 x Ethernet port for ATEM Software Control and remote control
- Supports ATEM Control Panels (both hardware and software)
- Compatible with ATEM Advanced Panels and ATEM Camera Control Panels for integrated workflows
Tally:
- Tally output via Ethernet connection to compatible Blackmagic cameras and tally lights
Streaming and Recording:
- External recording via HyperDeck Studio recorders (supports Ethernet control for HyperDeck integration)
Power Supply:
- Dual redundant internal power supplies (110-240V AC, 50/60Hz)
Power Consumption:
- 360W typical
Dimensions:
- Height: 3.5 inches (88mm) – standard 2U rackmount size
- Width: 19 inches (482.6mm)
- Depth: 11 inches (279.4mm)
Weight:
- 10.4 lbs (4.7kg)
Chassis:
- Rugged metal construction, rackmountable in standard 19-inch racks (2U size)
Features:
- 20 x 12G-SDI inputs supporting video formats from SD to Ultra HD 4K at up to 2160p60
- 4 M/E switcher architecture with 16 upstream keyers (4 per M/E)
- 4 full 3D DVEs for animated transitions and picture-in-picture effects
- Built-in multiviewer with customizable layouts for up to 16 windows
- Advanced audio mixing features with SDI-embedded audio and MADI support
- Dual redundant power supplies for increased reliability in live broadcast environments
- Built-in media players for still graphics and Ultra HD video clips
- Seamless integration with ATEM hardware control panels and software control
- Multiple transitions, including wipes, DVEs, and stingers
- Ethernet-based control for remote operation and system integration
Included Accessories:
- Power cables
- ATEM Software Control (available for download)
- Rackmount hardware (screws, brackets)
Applications:
- Ideal for high-end live broadcast production, sports events, concerts, and large-scale studio operations
- Perfect for handling complex multi-camera productions in SD, HD, Ultra HD, and 4K

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