Rupert Neve Designs 5211 2-Channel Mic Pre

• Dual-channel microphone preamp with classic Neve sound
• Custom transformers for warm, rich harmonic detail
• Dual gain controls per channel for precise level control
• Silk mode with variable texture control for harmonic saturation
• +72dB gain range to handle various microphone and instrument levels
• High headroom design for capturing dynamic performances without distortion
• Balanced XLR inputs and outputs for professional connectivity
• Line-level inputs for versatile recording options
• Front-panel instrument inputs for direct recording of guitars, basses, and synths
• High-pass filter to control low-frequency rumble and noise
• Robust, rackmountable 1U chassis for studio or live sound use

The 5211 Mic Pre is built around Rupert Neve's custom transformers, delivering the signature warmth and rich harmonic detail that has made Neve preamps legendary in the audio world. Whether recording vocals, drums, acoustic instruments, or electric guitars, the 5211 captures performances with analog warmth while preserving the detail and clarity needed for professional recordings.

Each channel of the 5211 features dual gain controls, allowing for fine-tuned level adjustments across a broad gain range. This ensures you can optimize levels for any source, from quiet dynamic microphones to high-output condenser microphones or direct instrument inputs, without introducing noise or distortion.

One of the standout features of the 5211 is its Silk mode, which introduces harmonic saturation to emulate the tone of vintage Neve consoles. With a variable Texture control, you can adjust the level of harmonic content, adding subtle warmth or rich, driven saturation to your recordings. This feature is perfect for adding color to vocals, guitars, drums, and more, giving recordings a more analog, musical character.

With an extended gain range of up to +72dB and a high headroom design, the 5211 can handle loud sources without clipping while still being able to amplify low-level signals cleanly. This makes it ideal for dynamic performances where maintaining sonic integrity is critical, such as drum kits, orchestras, or live vocal performances.

The 5211 offers balanced XLR inputs and outputs for professional connections to studio equipment and line-level inputs for connecting instruments or other line-level sources. The front-panel instrument inputs make it easy to record guitars, basses, and synthesizers directly, providing flexibility for a variety of recording scenarios.

The high-pass filter on each channel helps control low-frequency rumble, noise, or unwanted bass that can muddy recordings, giving you more control over the clarity and tightness of your signal. This is especially useful for cleaning up vocals, acoustic instruments, and close-miked sources.

Housed in a 1U rackmountable chassis, the 5211 is built to withstand the rigors of studio and live sound environments. Its robust design ensures reliable performance whether used in a professional recording studio or as part of a live sound rig.

The Rupert Neve Designs 5211 2-Channel Mic Pre is ideal for professional recording engineers, live sound technicians, and producers who seek the classic Neve sound for their studio or live productions. It excels in capturing vocals, acoustic instruments, electric guitars, drums, and more, offering pristine audio with the option to add vintage-style warmth and character through its Silk mode. Whether you're recording in a high-end studio or producing live performances, the 5211 offers unparalleled sound quality and flexibility.

MAXIMUM INPUT LEVEL
@ 1 kHz: +26 dBu

NOISE
Un-weighted, 22 Hz - 22 kHz, 150 Ohm input termination
Line Out (Unity Gain): -104 dBV, -101.9 dBu
-6 dB Line Out (Unity Gain): -109 dBV, -107 dBu
Line Out (+30 dB Gain): -98 dBV, -96 dBu
Line Out (+66 dB Gain): -66 dBV, -64 dBu

EQUIVALENT INPUT NOISE (EIN)
-128 dBV, -126 dBu

FREQUENCY RESPONSE
-0.2 dB at 10 Hz, -2.9 dB at 120 kHz

MAXIMUM OUTPUT LEVEL
1 kHz: +26.5 dBu
20 Hz to 30 kHz: +26 dBu

TOTAL HARMONIC DISTORTION AND NOISE (WITHOUT SILK)
1 kHz, +20 dBu O/P level, no load: 0.0015%, typical
20 Hz, +20 dBu O/P level, no load: less than 0.02%, typical

TOTAL HARMONIC DISTORTION AND NOISE (WITH SILK ENGAGED)
TEXTURE @ min, 100 Hz, +20 dBu O/P level, no load: 0.03%, mostly 3rd harmonic
TEXTURE @ max, 100 Hz, +20 dBu O/P level, no load: 1.5%, mostly 2nd harmonic

POWER CONSUMPTION
35 W (Max)

PRODUCT DIMENSIONS
19” W x 1.75” H x 7 ⅝” D

SHIPPING WEIGHT
11 lbs. (5 kg)

SHIPPING DIMENSIONS
23” W x 15” D x 7” H (58.4 cm W x 38.1 cm D x 17.8 cm H)